Have Pinsta for few month. One of the step i was figuring how is remove exceesive water from fiber base paper, at the field, before i put it in drying frame. I try AP darkroom squeezer ; PVA sponge , not work very nicely
End up my friend give me some Chinese ink calligraph paper to try (宣紙 / xuan paper / rice paper). It work really well !
It is thin, light weight, absorb water really well. (it is deaign for ink with large brush)
It is smooth . I can warp the photo put pressure on front and back. nothing stick on photo even i press it hard.
And it dry quickly. By the time i finish 2nd short, the same paper is ready to do it work again.




Hi! Thanks for sharing your experience with paper and water removal — it’s really helpful to know which types of fiber-based papers work best. I’ve been exploring ways to streamline workflow and efficiency in other fields, and it reminded me of how important automation can be for managing complex processes.
For example, in business operations, platforms like Automated Accounting Solutions can save a lot of time and reduce errors by handling repetitive accounting tasks automatically. Just like the right paper makes your workflow smoother in the darkroom, using a well-designed automated system can make accounting and financial management much more efficient, letting you focus on the creative or critical parts of your work.
I’ve run into a similar issue when working with fiber base prints in the field. Traditional tools like squeegees or sponges often don’t give consistent results — either leaving streaks or not removing enough moisture. Your idea of using xuan paper is actually brilliant, since it’s designed to handle ink and water absorption efficiently.
Another method worth considering is using highly absorbent, lint-free materials that don’t shed fibers and won’t stick to the emulsion. Some photographers also experiment with microfiber cloths or even blotting paper, though the key is to test carefully to avoid texture transfer.
For those exploring different tools and accessories for photography workflows, you might also find useful resources at gthemes — a site that shares a variety of creative utilities and ideas.
In the end, it comes down to finding a balance between portability, effectiveness, and safety for the print surface. Your approach with xuan paper seems like one of the most practical and elegant solutions I’ve heard of so far.
That’s a really clever solution using xuan paper! It makes sense since that kind of paper is designed to absorb ink and moisture quickly, so it naturally works well for pulling excess water out of fiber-based prints without sticking or leaving marks. The fact that you can reuse it almost immediately after drying one print is a huge bonus, especially in the field where time and tools are limited.
Another tip that some people find useful is gently pressing the print between two sheets of clean, lint-free absorbent paper with moderate pressure. It won’t dry the print completely, but it does remove enough moisture to speed up the drying process once the photo is in the frame. Some photographers also like microfiber cloths, though they tend to require extra care to avoid leaving fibers behind.
Your method with calligraphy paper sounds like one of the most efficient and low-maintenance solutions I’ve seen. Definitely worth trying for anyone who struggles with this step in the process.
If you’re into creative tools and accessories beyond the darkroom, you might also enjoy checking out paradisecaps — they’ve got some interesting collections that combine practicality with personal style.
I use xuan for printmaking and i hope to try it with cyanotypes. I'd be concerned that the paper might "transfer" dust or paper bits to the print? I find a squeegie works fine. One time out in the field i used the edge of one of the plastic magnetic print frames as a squeegie. it worked as well.
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That's an interesting idea for drying prints!